Horrendous stock photo courtesy of Metro Creative Connection - I'm so, so sorry |
By Elisa Meléndez
Slate.com
I am a gamer and a geek. I'm at the computer writing this in a Star Trek T-shirt, in celebration of the recent Mars Curiosity rover landing. I've been a gamer for as long as I can remember, having had a Nintendo Power magazine thrust into my hands as soon as I could sound out the words on the page in order to be my older brother's co-pilot.
Slate.com
I am a gamer and a geek. I'm at the computer writing this in a Star Trek T-shirt, in celebration of the recent Mars Curiosity rover landing. I've been a gamer for as long as I can remember, having had a Nintendo Power magazine thrust into my hands as soon as I could sound out the words on the page in order to be my older brother's co-pilot.
Since then, I have developed a fierce love of games. I have a tattoo of
a Trivial Pursuit pie on my right hip. My haircut resembles one of my
favorite characters, Lilith, from Borderlands. You can't tell me
Revolution X wasn't amazing. You just can't.
This may sound like I'm trying to validate my geek cred. I shouldn't
have to prove anything, you're right, but there are those determined to
limit my rise in the gaming world. Though 47 percent of all gamers are
women and though many of us are equal in our skills and drive to the
men, we are often not welcome. The gamers who still aren't ready for us
resort to online harassment to belittle, silence and drive us away from
their precious boys' club.
Elisa Meléndez with an Assassin Creed 3 coplayer at the AC3 booth during San Diego Comic-Con 2012. |
Online harassment is a phenomenon as old as online gaming itself, and
it is not necessarily limited to victimizing women — although they are
arguably its most visible and numerous targets.
A recent New York Times article has given a mainstream voice to the
problem and detailed the attack on feminist media critic Anita
Sarkeesian, who, after conducting a successful Kickstarter campaign
aimed at raising money to examine misogynist tropes in gaming, was in
for it. The Kickstarter campaign garnered Sarkeesian plenty of
attention, both from the gaming media and those who turned to online
harassment to silence and denounce her. Her Wikipedia page was
vandalized, her website hacked and a Flash game was created where a
player could beat a likeness of her black and blue. Mind you,
Sarkeesian's proposed project hasn't even gotten off the ground — this
is just the response to her planning and getting a decent sum of money
to do so.
What happened to Sarkeesian is not unique. There are websites, like
Jenny Haniver's NotIntheKitchenAnymore.com or FatUglyorSlutty.com, where
(mostly) women share the abusive messages they've quite loudly received
over the years on both console and PC. I've had plenty of my own to
share.
In fall 2011, I had the honor of being in the Xbox Gamer Spotlight, a
weekly feature where a different gamer's profile is put up for view in
the Xbox Live dashboard or on the Xbox Live website. My profile and
avatar (which I fashioned to resemble me as closely as possible) was on
display for anyone and everyone with an Xbox Live account to see — and
that's a lot of people (more than 12 million Gold subscribers as of last
fall).
In the resulting week, I received over 1,000 messages in my inbox.
Because I am getting a PhD in sociology, I like to record everything for
study, so I decided to catalog the messages. The majority were
congratulatory. The next most frequent type of message I eventually
categorized as "Come-Ons or Denigration," including slurs, rape
fantasies and two pictures of adult male genitalia.
This is something I've heard plenty: Oh, these are just misguided kids.
But according to the Entertainment Software Association, the average
gamer is more than 30 years old, and 68 percent of gamers are over the
age of 18. So to chalk all of this ugliness up to immature boys who just
need to "grow up" does nothing but turn a blind eye to the very real
problem — a problem that leads some young women to avoid voice
communications, hide their gender in their profiles or give up on online
gaming altogether.
The misogyny is not limited to the consumers of games — these attitudes
often affect women who work within the industry, either making the
games or promoting them to the public. Perhaps this is why things aren't
getting better. I have heard tales of women responsible for a game's
design being groped or treated like a paid spokesmodel on the show
floor, passed over in favor of "the guy in charge," or "someone who
knows what they're talking about."
A few weeks ago, I was working at the Capitol Hill Block Party in
Seattle, helping the gaming company Ubisoft to showcase Rocksmith, a
game in which the player plugs in a real guitar and learns real skills.
As a gamer musician, I took to it like a fish to water. And everyone at
the block party seemed to as well: There was sunshine and licks, bass
and treble. Person after person enjoyed the game, asked questions. Then,
there was this:
Guy: Who makes this?
Me: Ubisoft! Fine makers of such other awesome things as Assassin's Creed, Splinter Cell, Rainbow Six —
Guy: — But, of course, you don't play those.
Me: *blank stare*
I should have been prepared for that. Braced myself. Steeled myself
against the next moment that my authenticity as a member of this
subculture would be called into question. I am the frontwoman and
percussionist in a rock band, and have been asked enough times which one
of my bandmates I'm "with," that I should be used to it by now. An
assumed groupie at the rock club, an assumed poseur at the gaming expo.
This story of harassment is, inside the industry, considered old hat —
no one wants to hear your tale of woe. When I talk about this kind of
thing at industry or academic panels, there are people eager to wave off
90 percent of what I just wrote because they are, allegedly, already
busy looking for the solution. Then there are the others who dismiss me
because I'm not addressing feminist concerns in the "real world."
But this is my real world, and I would argue that for most of us,
gamers or just Facebook users, these online social interactions are very
real, with very serious consequences.
So what needs to happen? The industry is beginning to use technology to
mute, silence and ban offending players, making online gaming a safer
space for everyone. Game developer Bungie recently introduced
"auto-muting" in Halo, which means that once enough players individually
mute an offender, he/she is automatically muted by the game.
At this year's Penny Arcade Expo consumer and developer shows in late
August, a number of panels will be convened to flesh out those very
solutions. Fat, Ugly or Slutty co-founder and panelist Grace (who
usually goes by her handle, — gtz — ) is inspired by developers'
anti-harassment tools and hopes that the players themselves will catch
up: "We can find ways to harness the power and passion of the community
to police itself; let the community decide and declare what is
acceptable using technical tools."
Women can also organize. Thankfully, some of us are finding solidarity
in co-ed and all-female gaming groups, or clans. The Frag Dolls are one
such group, an all-female collection of gamers sponsored by Ubisoft, who
play games professionally and competitively as well as represent
Ubisoft and its games at various industry and consumer events. As part
of the Frag Doll Cadettes Academy, young female gamers who are looking
to expand their gaming horizons and get a foot into the industry door
are mentored by their big sister Frag Dolls and sent to the same events.
Women who have gone through the ranks as either Frag Dolls or cadettes
often find themselves in industry positions soon after.
Within the industry, the hiring of more women and minorities is an
oft-cited solution. "Often, when I play through new games, or check out
previews, it feels like the industry is making games for itself — for
the demographic of the average developer, a white straight dude in his
30s," Alli Thresher, game designer and writer, recently told me. "With
more diversity in the industry, this can only continue to change and
improve."
Oh, and one more solution that everyone can implement: something a
professor of mine once called a "politics of fun." Women and minority
and LGBT gamers should turn on their microphones, dress up their avatars
however they see fit, and make the online gaming space their own. Most
importantly, have fun. HAVE FUN. And be loud about it. Hopefully, the
sound of our fun can begin to drown out the sound of the trolls.
---
Meléndez is a gamer, Frag Doll cadette and PhD student of sociology
at Florida International University in Miami, where she also fronts a
rock band, Crimson.
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